Budapest Symphony Orchestra (Hungarian Radio) Conducted by Ádám Medveczky Live broadcast recording at Studio No. "6" of the Hungarian Radio on October 8, 2005 Bassoon: Szabolcs Fehér Oboe: Tamás Bartók Flute: Gabriella Hegyesi The captain is: Károly Szász Short film by Sz.F.
"Chocolat" for solo bassoon by Efraín Amaya was commissioned and premiered by R. James Whipple on November 2011. This is a midi version using a Finale Garritan instrument.
Click here for more details: www.amazon.com For the more traditional players BG offers this excellent, high quality seat strap. Featuring a leather cup that allows for a better grip on the boot than found with most seat straps, the BG strap is a favorite among serious bassoonists.
C 523.25 Hz tone for instrument tuning 8 seconds on 2 seconds off x6 My playlist with the twelve notes of the fourth chromatic octave: www.youtube.com 523 523.25 522 Hz hertz Music Pitch Frequency Musical Note Notes Sound Audio Tone Tune Tuning Instrument Tuner Concert Viola Cello Banjo Piccolo Flute Oboe Bassoon Trumpet Trombone Euphonium Tuba Bass
The Woodwind Quintet from Cypress Bay High School performing at 2012 Solo and Ensemble. They received an EXTREMELY deserved rating of superior. Flute- Caitlyn Hollowell Oboe- Paul Schwein French Horn- Josh Schwartz Bassoon- Taylor Shorey A Clarinet- Gabriel Gordillo (Gabriel's demon is at around 4 minutes)
Spot vidéo intitulé "The wait" (l'attente), mettant en scène les casques WeSC. www.cobrason.com Vous pouvez retrouver une large gamme de casques WeSC (bassoon, rza, conga, bass, banjo, maraca...) en magasin ou sur notre site internet : www.cobrason.com
Spot vidéo présentant les casques WeSC : la plus fashion des marques suédoises ! www.cobrason.com Vous pouvez retrouver une large gamme de casques WeSC (bassoon, rza, conga, bass, banjo, maraca...) en magasin ou sur notre site internet : www.cobrason.com
Vivaldi Concerto for bassoon, strings and basso continuo in A minor (RV 497), Part I. Allegro molto Bassoon - Sergey Sagan; Organ -- Elena Shevchenko; String quartet "Elegy" -- Alexandra Cerr (first violin), Elena Levenets (second violin), Natalia Starikova (viola), Irina Andrievscaia (cello). Kemerovo. Siberia. Russia. Концерт для фагота, струнных и бассо континуо № 7 Ля минор RV497, часть 1. Фагот - Сергей Саган; орган -- Елена Шевченко; струнный квартет «Элегия» - Александра Церр (первая скрипка), Елена Левенец (вторая скрипка), Наталья Старикова (альт), Ирина Андриевская (виолончель). Кемеровская областная филармония, г. Кемерово. Россия.
me playing a quart bassoon, made by Howarth, at TMEA 2012. the G key was sticking (not my jacket against the key like i originally thought)...gave it a nice little jazz presence, lol.
Hi, This is Bouree by George F. Handel played by bassoon and flute. We just decided to sightread & record this, so there are a few mistakes but sounds pretty good! Thanks for watching, and we'll post some more videos in the future (sorry for the bad recording- we're getting a new camera soon!) -Dana (bassoon) & Victoria (flute)
Hi, Hope you enjoy our duet of Allegro-Scherzando by Franz J. Haydn. We're doing it for the Middle School Solo & Ensemble Competition, so please feel free to give constructive criticism. Sorry for poor recording- getting a new camera and will post new videos soon :) -Dana & Victoria
The Boulder Bassoon Quartet introduces itself at a concert in Louisville Colorado, while playing music from the Blues Brothers. The BBQ is, from left to right, Ethan Turner, Michael Christoph, Brian Jack and Kent Hurd. www.boulderbassoons.com
Here is our brother Tyler Chen rocking the bassoon (yes I know I am missing an s in the video). The camera died while he was playing so not all of his performance is here, but there is enough to see how awesome he is.
The new version (2010-2011) of Hypérion-Éos is written for Jeffrey Lyman who premiered it at Britton Recital Hall - University of Michigan. The first version (2009) was premiered at Ircam in Paris. Studio recording: Ann Arbor, University of Michigan Bassoon : Jeffrey Lyman Original format: 24 bit - Quadraphonic Hypérion-Éos is a meditation on two poems of Hölderlin: Hyperions Schicksalslied and Der Frühling. The first and the second sections, Hypérion I and II - the name similarly evokes one of the titans of Greek Mythology - are articulated via an alternation around three different "moments": a leap toward the heights, a somber cry and a slow descent. The figure of Stockhausen is evoked through a short reworked fragment from one of his works. Éos - dawn in ancient Greek, the daughter of Hypérion - symbolizes the new light, a young sky that carries a profound peace, the desire to rise. The hope of a new dawn. The slow and serene rising turns of the solo instrument radiate a profound calm, a superhuman peace, becoming at times almost expressive. The phrases unfold from a single core - a symbol - where sound and silence complement each other in perfect equilibrium. Near the end, on the surface of the slow ascending chant emerges a recomposed fragment of a very early piece of ancient Greek music dating from 2400 years ago. Hypérion-Éos can qualify as symbolic music. The piece is entirely developed from a synthetic and unifying musical element, but it has a dual nature as <b>...</b>
Otmar Nussio: Variazioni su un' Arietta di Pergolesi- IX. Stornello X. Danza Jason Ostrander, Bassoon Yu-Lien The, Piano Western Michigan University School of Music
